Girne Belediyesi Tiyatro Topluluklar\u0131 2023 \u2013 2024 sezonuna 3 farkl\u0131 oyunla ba\u015fl\u0131yor. Kas\u0131m ay\u0131 boyunca sahnelenecek olan \u2018\u00c7\u00f6kme Tehlikesi\u2019, \u2018Hadi \u00d6ld\u00fcrsene Canikom\u2019 ve \u2018Mozart ve Salieri\u2019, isimli oyunlar Girne Belediyesi Oda Tiyatrosu\u2019nda sergileniyor. Girne Belediyesi Tiyatro Topluluklar\u0131 taraf\u0131ndan verilen bilgiye g\u00f6re Kas\u0131m ay\u0131 boyunca devam edecek t\u00fcm oyunlar\u0131n saat 20:30\u2019da perde a\u00e7aca\u011f\u0131 ve bilet fiyatlar\u0131n\u0131n 150 TL olarak belirlendi\u011fi kaydedildi. Oyun g\u00fcnleri kap\u0131dan bilet sat\u0131\u015f\u0131n\u0131n da ger\u00e7ekle\u015ftirilece\u011finin belirtildi\u011fi a\u00e7\u0131klamada dileyenlerin online olarak, www.kibrisbiletcim.com sitesinden bilet temin edebilece\u011fini ve oyunlar i\u00e7in rezervasyon yap\u0131lmayaca\u011f\u0131 kaydedildi.<\/p>\n
\u00c7\u00f6kme Tehlikesi (Y\u00f6neten: Derman Atik)<\/strong><\/p>\n Neden \u00e7\u00f6kme tehlikesi var? Binalar m\u0131 \u00e7\u00f6k\u00fcyor, insanlar\u0131n ya\u015fam\u0131 m\u0131? \u0130nsanlar, gen\u00e7ler, \u00e7ocuklar, toplumlar neden \u00e7\u00f6ker? Amerikan oyun yazar\u0131 Tennessee Williams,\u00a0 \u00c7\u00f6kme Tehlikesi Var’da; hayatta yaln\u0131z kalm\u0131\u015f, \u00e7ok sevdi\u011fi ablas\u0131n\u0131 kaybetmi\u015f ve ondan kalan evinde \u00e7\u00f6kme tehlikesi bulunan gen\u00e7 bir k\u0131z\u0131n tren raylar\u0131 \u00fczerinde u\u00e7urtma u\u00e7urmaya \u00e7al\u0131\u015fan ama bir t\u00fcrl\u00fc r\u00fczgar\u0131 yakalayamayan gen\u00e7 ile diyaloglar\u0131n\u0131 ele alarak oyunda bir\u00e7ok sembolik anlam simgeliyor.<\/p>\n Hadi \u00d6ld\u00fcrsene Canikom (Y\u00f6neten: \u00d6mer D\u00fcndar)<\/strong><\/p>\n Aziz Nesin\u2019in kaleme ald\u0131\u011f\u0131 hikayenin merkezinde hayatlar\u0131 s\u0131k\u0131c\u0131 ve monoton olan, parlak renklerden yoksun iki ya\u015fl\u0131 kad\u0131n kom\u015fu var. Onlar\u0131n g\u00fcnl\u00fck ya\u015fant\u0131lar\u0131 bir dizi hat\u0131rad\u0131r. \u00d6len kocalar\u0131 hakk\u0131nda, var olmayan a\u015fk mektuplar\u0131 hakk\u0131nda. Sevgiyi, insan\u0131n s\u0131cakl\u0131\u011f\u0131n\u0131 ve kat\u0131l\u0131m\u0131n\u0131 hayal ediyorlar. Hala on sekiz ya\u015f\u0131ndalar, k\u0131r\u0131\u015f\u0131kl\u0131klar\u0131n\u0131 ve gri sa\u00e7lar\u0131n\u0131 gizliyorlar. Kahramanlar \u00e7ok geride kalan kayg\u0131s\u0131z y\u0131llar\u0131 d\u00fc\u015f\u00fcnerek,\u00a0 \u015fehirde kad\u0131nlara tecav\u00fcz eden ve \u00f6ld\u00fcren bir manyak oldu\u011funu \u00f6\u011freniyorlar<\/p>\n Mozart ve Salieri (Y\u00f6neten: Ufuk Aydo\u011fan)<\/strong><\/p>\n Biyografik motifler ve biyografik s\u00f6ylemin in\u015fas\u0131, bize g\u00f6re Pu\u015fkin’in “Mozart ve Salieri” trajedisindeki i\u00e7eri\u011fin en \u00f6nemli bile\u015fenini olu\u015fturur ve bunlar\u0131n analizi trajik \u00e7at\u0131\u015fman\u0131n ek y\u00f6nlerini a\u00e7\u0131kl\u0131\u011fa kavu\u015fturur. Trajedide, d\u00fcrt\u00fcsel ya\u015fam tezah\u00fcrlerinin kahraman\u0131na (Mozart) kar\u015f\u0131 \u00e7\u0131kan, farkl\u0131, t\u00fcr odakl\u0131 bir biyografik \u00f6zelli\u011fi (Salieri) olan bir kahraman vard\u0131r. Di\u011ferleriyle birlikte bu kar\u015f\u0131tl\u0131\u011f\u0131n da anla\u015f\u0131lmas\u0131 ve uygun ba\u011flam\u0131n \u00e7ekilmesi gerekir. Salieri, klasik biyografinin normatif kahraman\u0131 ile romantik d\u00fcnyalar\u0131n \u015feytani teoma\u015fisini birle\u015ftiriyor.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Girne Belediyesi Tiyatro Topluluklar\u0131 2023 \u2013 2024 sezonuna 3 farkl\u0131 […]<\/p>\n","protected":false},"author":10,"featured_media":16499,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-16498","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uyelerimizin-haberleri"],"_links":{"self":[{"href":"https:\/\/ktbb.org\/v1\/wp-json\/wp\/v2\/posts\/16498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ktbb.org\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ktbb.org\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ktbb.org\/v1\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/ktbb.org\/v1\/wp-json\/wp\/v2\/comments?post=16498"}],"version-history":[{"count":1,"href":"https:\/\/ktbb.org\/v1\/wp-json\/wp\/v2\/posts\/16498\/revisions"}],"predecessor-version":[{"id":16500,"href":"https:\/\/ktbb.org\/v1\/wp-json\/wp\/v2\/posts\/16498\/revisions\/16500"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ktbb.org\/v1\/wp-json\/wp\/v2\/media\/16499"}],"wp:attachment":[{"href":"https:\/\/ktbb.org\/v1\/wp-json\/wp\/v2\/media?parent=16498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ktbb.org\/v1\/wp-json\/wp\/v2\/categories?post=16498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ktbb.org\/v1\/wp-json\/wp\/v2\/tags?post=16498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}